DAVID MENGUAL

© Joan Abella
© Jordi Renart
© Miquel Carol
© Dani Alvarez
© Cels Burgès

DAVID MENGUAL

Oriol Roca feels blessed to share music with David Mengual since 2009, a musician for whom he has great respect and with whom he has learned and grown as a musician. Composer, big band leader, arranger, double bass player, and pianist, David Mengual is a versatile, polyvalent musician with a faultless knowledge of the many registers of the language of jazz and one of the most outstanding creators of the Spanish jazz scene. All his personal projects are true centers of multi-personal artistic creativity in which he proposes himself as a catalyst of ideas, sensibilities and talents facing a long payroll of collaborators and accomplices in the search.

 

Oriol Roca’s first collaboration with Mengual takes place on the album Maitia (Quadrant Records, 2009). Since then they have shared many projects and recording sessions opened to overflowing electric sounds or locked in the most radical lyricism of the intimate search.

 

On 2013 Mengual formed the Slow Quartet with new original music written as an antidote to the hectic pace of modern times and the noise of everything that deafens us. This band (with Toni Vaquer on piano, Miguel Villar on saxophone and Oriol Roca on drums) could be the inheritance of Mengual’s previous work Maitia, with the aim of offering an excuse to project the personality of each and every musician and turning it into a slow, sincere and ephemeral dialogue. On 2013 they record the album U (Bebyne Records)

 

On 2013 Oriol Roca joins the David Mengual Free Spirits Big Band and takes part on the recording sessions for the double length album Vertebrats (Bebyne Records 2015) that travels from mystery and elusiveness to an epic sense of celebration, from intimism to impressionism, a musical and visual trip of shared sounds. On 2016 takes place the recording session for the album Mut, still unedited.

 

From 2014 to 2016 Mengual forms the trio Good Times, Bad Times revisiting the music of Led Zeppelin from the perspective of free improvisation, with guitarist Jordi Matas and Oriol Roca.

 

On 2015 takes place Cadena Tròfica, a project co-leaded by David Mengual, Oriol Roca, pianist Joan Díaz and visual artist Carles Roche. Cadena Tròfica intends to form part of the creative chain that share different aesthetics, artistic disciplines, and currents of thought, through original music largely inspired in the essence that gave meaning to the Bauhaus school. On July 2015 they record the album Cadena Tròfica (Discmedi / Seed Music).

 

On 2015 Mengual reformulates the Slow Quartet, this time featuring Carme Canela on voice, Dani Pérez (guitar), Miguel Villar (saxophone) and Oriol Roca (drums). The poetry of Italian Sandro Penna and Catalan Màrius Sampere, was the seed that generated this new proposal. These poems, drenched with muffled cries, and full of musicality, were the perfect embryo to cook the compositions of the album Extraña Alegría de Vivir (Bebyne Records 2016). The recording session also included the stellar collaborations of Marco Mezquida (piano), Sandrine Robillard (cello) and Benet Palet (trumpet).

 

Currently, with Maitia Trio David Mengual abandons the four-string instrument to get in front of the piano, in a group that they complete two names of the most Spanish creative music scene: Marc Cuevas (double bass) and Oriol Roca (drums). Born 10 years ago, the Maitia Trio defines itself as a trio of ephemeral music and original compositions that are renewed in each performance to provoque a complicity and a fresh and direct sound. It is also a plastic band that welcomes musicians such as saxophonist Joan Mas, one of the greatest names of the younger generations of national jazz.

 

DAVID MENGUAL: piano

JOAN MAS: saxophone

MARC CUEVAS: double bass

ORIOL ROCA: drums

 

www.bebyne.com

 

ALBUMS

IAGO AGUADO QUARTET

IAGO AGUADO QUARTET

Iago Aguado Quartet is the result of an introspective creative process drawing on emotions and desires. The result is a highly intimate project of which sensitivity, esteem, and sincerity are the main features.

 

The eleven original compositions found on his début album Festina Lente feature different landscapes full of unique textures, colors, and atmospheres. Together they form a sound scape made up of a relaxed dialogue full of subtle detail.

 

David Mengual, David Soler and Oriol Roca are the perfect musicians to collaborate here, providing cohesion, complicity, and comprehension. They bring an intimate feel to the project, thanks to each of their great subtlety and musicality.

 

IAGO AGUADO: guitar, compositions
DAVID SOLER: pedal steel
ORIOL ROCA: drums
DAVID MENGUAL: double bass

 

www.underpool.com

ALBUMS

SLOW & CANELA · Tour 2016

David Mengual Slow Quartet & Carme Canela

Slow is a project going back almost four years and with an album U (Bebyne Records) warmly welcomed by the specialised critics. During this time, and after concerts everywhere, it has grown and matured, becoming a stable quartet with great affinity and musical communication. The compositions are originals, written with the aim of creating a thoughtful, sincere dialogue helping to compensate for the impossible pace at which we have to live, this time accompanied by one of the greatest singers in the country, Carme Canela. After this year’s tour, Slow & Canela will record a new album to immortalise this most productive time.

Carme Canela vocals, David Mengual double bass, Miguel Villar saxes, Dani Pérez guitar, Oriol Roca drums.

 

24 June – Jamboree Jazz Club (Barcelona)

25 June – Nova Jazz Cava (Terrassa)

1 July – Celler Modernista (Sant Cugat del Vallès)

23 July – Nits d’Estiu a La Pedrera (Barcelona)

24 July – Nits d’estiu a La Pedrera (Barcelona)

13 November – Cafè Auditori (Sant Cugat del Vallès)

 

 

DAVID MENGUAL SLOW QUARTET & CARME CANELA – Extraña alegría de vivir

U

Artist : David Mengual Slow Quartet & Carme Canela
Release Date : April 19th, 2017
Label : Bebyne
Format : CD

Recording engineer: Sergi Felipe

Recorded at Estudis Underpool, Barcelona on February 24th & 25th 2017

Mixing and mastering: Dave Bianchi at Dry Town studios

Producer: David Mengual

Executive Producer: Iñaki Sandoval

Photography and artwork by Carles Roche

Go to DAVID MENGUAL SLOW QUARTET

Buy album:

El poemario de Sandro Penna, complementado con la poesía de Màrius Sampere, ha sido la semilla que ha generado el nacimiento de esta nueva propuesta. Sus poemas, empapados de gritos ahogados, y llenos de musicalidad, han sido el embrión perfecto para cocinar las composiciones de este disco. Sin duda la persona mas cercana, humana y musicalmente, a esta sensibilidad estética y formal, es la gran cantante Carme Canela. Su personalidad, trayectoria y musicalidad, encaja perfectamente con la intención del proyecto. El gratificante resultado de este encuentro, ha derivado en este disco. Se podría resumir en tres palabras: Sinceridad, emoción y felicidad de encontrar un espacio de libertad y expresión. La música retratada en este disco, es como si fuera una huella del itinerario creativo del proyecto, que no contempla ninguna posibilidad de abandonar el proceso. En la grabación, crecen las colaboraciones de Benet Palet, Sandrine Robilliard y Marco Mezquida.

 

  • David Mengual: double bass
  • Carme Canela: vocals
  • Pintxo Villar: tenor sax, vocals
  • Dani Pérez: guitar
  • Oriol Roca: drums
  • Sandrine Robillard: cello
  • Marco Mezquida: accordion
  • Benet Palet: trumpet

 

www.bebyne.com

CELESTE ALÍAS – Tot Sembla Tan Senzill

Tot Sembla Tan Senzill

Artist : Celeste Alías
Release Date : March 17th, 2017
Label : Fonoll / Microscopi 2017
Format : CD

Recorded at Estudis Koryland, Barcelona on July 11th and 12th 2016

Recording engineer: Nacho López

Mixed and masterded by Quim Puigtió

Go to CELESTE

Buy album:

Poemes musicats de Montserrat Abelló

 

  • Celeste Alías: voice
  • Santi Careta: electric guitar
  • David Mengual: double bass
  • Oriol Roca: drums
  • Meritxell Cucurella-Jorba: reciting
  • Sònia Moya: reciting
  • Laia Noguera: reciting

 

www.celestealias.com

DÍAZ/MENGUAL/ROCA – CADENA TRÒFICA

CADENA TRÒFICA

Artist : Joan Díaz / David Mengual / Oriol Roca
Release Date : September 18, 2015
Label : Discemdi / Seed Music
Format : CD

Recorded on July 2015 at Music Lan Studios (Girona)

Sound engineer: Jordi Solé

Mixing and mastering: Quim Puigtió “Kato”

Executive producer: Rut Martínez

Photography and artwork by Carles Roche

All compositions by Joan Díaz, David Mengual and Oriol Roca

Go to DÍAZ/MENGUAL/ROCA

Buy album:

The project Cadena Tròfica is inspired by some of the ideas that have made of the Bauhaus movement, a landmark in the history of twentieth century art. The creative process is what shapes the fate of an artwork and the artists themselves, and during this process, any element that shape our creative and cognitive perimeter should not be dissociated. The artistic experience comes through craftsmanship as philosophy comes through thought. How could we imagine a whole rest without the image of an icy landscape? How to articulate musical forms without considering the architectural structure of a building? And thinking about instrumentation without imaging the grain of a film? The phrasing of a musical motif, does it not become the stroke of a painting? Are the parameters that determine the structure of a musical work, not common to those working in the design of a glass of water? CADENA TROFICA intends to form part of the creative chain that share different aesthetics, artistic disciplines, and currents of thought, through original music largely inspired in the essence that gave meaning to the Bauhaus school.

 

El projecte Cadena Tròfica està inspirat en algunes de les idees que han fet de la Bauhaus un referent en la història de l’art del segle vint. El procés creatiu és allò que marca el destí d’una obra i dels propis artistes i, en el decurs d’aquest procés, no s’han de dissociar cap dels elements que configuren el nostre perímetre creatiu i de coneixement. L’art arriba pel camí de l’artesania com la filosofia ho fa a través del pensament. Com podríem imaginar un compàs de silenci sense la imatge d’un paisatge gèlid? Com articular formes musicals sense contemplar l’estructura arquitectònica d’un edifici? I pensar en una instrumentació sense que et vingui al cap el gra d’una pel·lícula? El fraseig d’un motiu musical, no esdevé el traç d’una pintura? Els paràmetres que condicionen l’estructura d’una obra musical no són comuns als que actuen en el disseny d’un got? Cadena tròfica pretén formar part d’aquesta cadena creativa que comparteixen les diferents disciplines estètiques, artístiques i de pensament a través de la música original que s’inspira, en bona mesura, en l’essència que va donar sentit a la mateixa escola Bauhaus.

 

David Mengual: double bass

Joan Díaz: piano

Oriol Roca: drums

 

Booking: www.seedmusic.eu

PRESS

Guardonat també en diverses ocasions és el pianista Joan Díaz, compositor, arranjador i reconegut pedagog que, en companyia del contrabaixista David Mengual i el bateria Oriol Roca, presentava, el 24 d’octubre, el disc Cadena tròfica —treball que signen com a Díaz / Mengual / Roca— a la sala petita de L’Auditori, en el marc de 47è Voll-Damm Festival Internacional de Jazz de Barcelona. Als antípodes de la disbauxa de la FAE, Díaz, Mengual i Roca ens ofereixen un espectacle de concepte, gairebé de recolliment interior, en el qual diuen vincular la creació musical amb altres disciplines artístiques, a partir de les idees de la Bauhaus alemanya. No en va, durant el concert es van projectar diferents imatges del fotògraf Carles Roche. Des del silenci, des del xiuxiueig, des de la bellesa, la música avançava a batzegades, amb cadències capricioses, però també en alguns fragments amb un excés de lentitud. Contrastava l’estil heterodox del bateria Roca amb el toc elegant del mestre Díaz. Entre els moments més sorprenents, el contrapunt energètic del tema “Trapezi”, amb un solo de teclat vintage inclòs. Cadena tròfica és una proposta de difícil classificació —“diferent”, en dirien alguns—, que demostra l’etraordinari caràcter versàtil del pianista Joan Díaz, i per descomptat també del contrabaixista David Mengual i el bateria Oriol Roca. Martí Farré, Núvol.com (November 2015).

DÍAZ/MENGUAL/ROCA TRIO · New album “Cadena Tròfica”

El projecte Cadena Tròfica està inspirat en algunes de les idees que han fet de l’escola Bauhaus un referent en la història de l’art del segle XX. El procés creatiu és allò que marca el destí d’una obra i dels propis artistes i, en el decurs d’aquest procés, no s’han de dissociar cap dels elements que configuren el nostre perímetre creatiu i de coneixement. L’art arriba pel camí de l’artesania com la filosofia ho fa a través del pensament. Com podríem imaginar un compàs de silenci sense la imatge d’un paisatge gèlid? Com articular formes musicals sense contemplar l’estructura arquitectònica d’un edifici? I pensar en una instrumentació sense que et vingui al cap el gra d’una pel.lícula? El frasseig d’un motiu musical, no esdevé el traç d’una pintura? Els paràmetres que condicionen l’estructura d’una obra musical no són comuns als que actuen en el disseny d’un got? Cadena Tròfica pretén formar part d’aquesta cadena creativa que comparteixen les diferents disciplines estètiques, artístiques i de pensament a través de la música original que s’inspira, en bona mesura, en l’essència que va donar sentit a la mateixa escola Bauhaus.

 

 

JOAN DÍAZ: piano

DAVID MENGUAL: double bass

ORIOL ROCA: drums

 

Contact at adep.cat

Video by Elsabeth Produccions

Pictures by Carles Roche

DAVID MENGUAL FREE SPIRITS BIG BAND – Vertebrats

Vertebrats

Artist : David Mengual Free Spirits Big Band
Release Date : September 22, 2014
Label : Bebyne
Format : CD

Recorded by Toni París at Estudis 44.1, Girona, on May 2014
Mixed & mastered by Toni Vaquer & David Mengual at Estudis Polidor, Barcelona, on June 2014
Photography & design: Carles Roche
Produced by David Mengual

Go to DAVID MENGUAL FREE SPIRITS BIG BAND

Buy album:

Double length album, 32 songs by David Mengual, Toni Vaquer, Jordi Mestres, Oriol Roca, Led Zeppelin, Jimi Hendrix, The Beatles, and Johann Sebastian Bach.

From mystery and elusiveness to an epic sense of celebration, from intimism to impressionism, David Mengual Free Spirits Big Band’s last work, Vertebrats, is a musical and visual trip of shared sounds. Built from small compositions, originals and versions, the trip converges in 6 suites born in the mind of Toni Vaquer. Vertebrats is anything but an empty name: it reminds us of a need of adaptation, of evolution, which is also a need to leave a trace, paleontological or discographical, from a body of work made by two symmetrical parts -in a certain way, this is what these suites really are. This need of evolution has become visible in live performances of the Big Band, where Julietee Louste’s dance & choreography found a fertile terrain to grow.

 

  • Alvar Monfort, Natsuko Sugao: trumpet and flugelhorn
  • Ivan Gonzalez: trumpet and French horn; Conducting in “Las crónicas de Saturno”
  • Joan Mas: alto sax
  • Miguel “Pintxo” Villar: alto and soprano sax
  • Gonzalo Levin: tenor sax and flute
  • Juan Saiz: flute (suites 3,5 and Toni Melassa)
  • Aram Montagut, Dario Garcia: trombone
  • Amaiur Gonzalez: tuba
  • Enric Peinado: guitar, cavaquinho
  • Lina Lomanto, Toni Vaquer: piano and Hammond
  • Alex Reviriego: double bass
  • Josema Martín, Oriol Roca: drums and percussion
  • Roser Farré, Maria Ibáñez: violin
  • Alicia Domínguez: viola
  • Margarida Mariño: cello
  • Marcel.lí Bayer, Jordi Santanach: clarinet
  • Pau Domenech: bass clarinet
  • Alfonso Fernandez Vargas: bassoon

 

www.bebyne.com 

Press

 

Vertrebrats awarded for Best Jazz Album of the Year by Enderrock magazine (December 2014)

 

Another thrilling session from Mengual, who always seems to make the motions of huge liftoffs and exquisite soaring a part of every one of his recordings. His newest features a series of different suites and performed by different ensembles, and the way they shift from a chamber elegance to a bop liveliness to a jazz-rock burn is a terrific series of events to follow along with. Some familiar names to this column are a part of Mengual’s group, including drummer Oriol Roca, trumpet Natsuko Sugao, saxophonist Gonzalo Levin, and clarinetists Marcel li Bayer and Pau Domenench. A good idea to go exploring Mengual’s discography, and this one is a good place to start. Dave Summer, Wondering Sound (September 2014)

 

I’ve always had a thing for the music of David Mengual.  The term “free spirits” is very applicable to his music.  No matter the size of the ensemble, it possesses a lightness and a flowing motion that I always take to.  His newest, Vertebrats, an album that incorporates both an octet and big band formation, holds true to form.  Consisting of six different suites that all snap neatly into place, Mengual displays his ability to convey an orchestral grace to music with a pop music sensibility.  With pianist Toni Vaquer given the role of arranger and, in some instances, composer, the David Mengual Free Spirits Big Band eases its way through 32 tunes, originals and interpretations, short pieces and extended, and covering the expanse of jazz, rock, and classical. The album opens with the eminent grace of “Canicas,” “En Patufet i sa lletuga” and “L’Ira del Bosc.”  All short pieces that have a lightness and flowing motion that accentuates a humble beauty.  It’s a quality that I associate most often with Mengual’s music. Not uncommon are the dramatic shifts into a sense of urgency.  This happens here with fourth track “El Resumen,” which signals the beginning of surges of intensity, bouts of dissonance and thick introspective drifts. The ensemble shifts into a new gear, starting with “Dimonis fent foguerons.”  They retain much of the intensity developed in the previous section, but now come together and focus on patient, lovely expressions of melody while taking the care to wrap them up carefully in thick, warm harmonies.  There’s no less drama than the previous section… it just coalesces where the previous section dispersed or collided. After a short interlude of a straight-ahead jazz tune (“Plaga de ratas siguiendo a flautista enfermo”) and one more of the free variety (“Las crónicas de Saturno”), the album settles back into one of orchestral grace.  And, then, typical of Mengual’s sense of adventure, this ensemble begins a medley of classic rock tunes from Led Zeppelin, Jimmy Hendrix and The Beatles, before ending the album with the New Orleans inspired “Himne.” Fun moments, beautiful moments, both, to be discovered on this enjoyable recording.  Go check it out. Dave Summer, Bird is the Worm (January 2015)

 

This is a bit of a monster. The David Mengual Free Spirits Big Band is a big Big Band—27 musicians—with impressive musical scope, mixing improvisation with written charts, original pieces with tunes by some of the best known and most respected composers of the last 300 years. Vertebrats is the band’s third album—a richly varied, ambitious recording. There’s almost 90 minutes of music across these two CDs. It’s organised into a series of six suites each of four to eight distinct tracks with individual tracks generally lasting for less than four minutes. Mengual, a Barcelona-based musician and educator, is the musical director, but arranger and pianist Toni Vaquer takes the vast majority of the writing credits.
Opening tune “Canicas” is a pretty, warm, composition featuring the horn section in aGil Evans-like arrangement. By “El Resumen” the tempo and the tension has racked up: the emphasis remains on the horns but the dominance of the lower-register instruments beefs up the rhythm and the power.
The brief Suite No. 2 begins in more contemporary territory, with an altogether freer and more angular style showcased on “La Colonia de Formigues.” The rest of the suite is calmer, combining warm, soft-toned horn parts with Vaquer’s contrastingly brighter piano. The mood continues into the opening tunes of Suite No. 3, although things move up-tempo with the drive of “Climbing The Robles Peak.” Mengual’s “Toni Melassa” features The Octet: the (relatively) small band feel of the tune contrasts appealingly with the full-on sound of the Big Band. These early moods are repeated through Suites 4 and 5. “Plaga de Ratas Siguendo a Flautista Enfermo” is another up-tempo tune, one of the most immediately enjoyable pieces on the album as Vaquer’s piano evokes the darting and scratching of the titular rats. The energetic, prog-like “Las Cronicas de Saturno” hints at things to come in the final suite, “Free Spirits Groove” makes it clear that the band can deliver a danceable rhythm when called for. The band’s left-field side is showcased on the pretty “Teo,” which features the always welcome squeaky toys as well as the voice of an excited infant (presumably Teo?). Following on from the original compositions of the preceding five suites, “Suite No. 6″ doesn’t quite work out. It’s the Free Spirits Big Band’s take on some classic rock—includingLed Zeppelin‘s “Black Dog” and “Heartbreaker” and Jimi Hendrix‘ “Little Wing.” The band certainly compete on volume with the originals (Enric Reinado lays down suitably heavy guitar on “Heartbreaker” and tuba player Amaiur Gonzalez brings a new harmonic and rhythmical approach to “Hey Joe”), but it lacks the punch of those classic rock bands—and the vocal talents of Robert Plant or Hendrix. In the company of these rockers Johann Sebastian Bach’s “Bouree en Mi Mineur” might seem out of place, but there’s a version of this to be found on Jethro Tull‘s Stand Up (Island Records, 1969) and of all the parts of this suite it’s the one that best fits Vertebrats as a whole. Bruce Lindsay, All About Jazz (January 2015)

RICCARDO LUPPI QUARTET · March ’15 Tour

I know Riccardo since 2009 and I feel so lucky to have shared so many good moments together, as when we recorded in Narbonne the album I Wouldn’t Be Sure with Manolo Cabras & Basic Borg. We talked a million times with Riccardo about organizing some concerts in Spain, and I’m so happy this is finally happening on the third week of March. But I’m even more thrilled to share the music with my friends David Mengual on double bass and Marco Mezquida on piano.

We’ll be happy to see you in one of the concerts!

· Wedenesay 18.03 – Jamboree Jazz Club Barcelona 20h (Quartet)

· Thursday 19.03 – Hot Blues Igualada 22h (Quartet)

· Friday 20.03 – Jazz Club La Vicentina Sant Vicenç dels Horts 22h (Joan Mas on saxophone replaces Marco Mezquida)

· Sunday 22.03 – El Siglo Sant Cugat del Vallès 12.30h (Quartet)

· Sunday 22.03 – Cafè Auditori de Sant Cugat Sant Cugat del Vallès 20.30h (Quartet)

 

Riccardo Luppi (tenor and soprano saxophone)

Marco Mezquida (piano)

David Mengual (double bass)

Oriol Roca (drums)

 

 

 

 

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