Artist : Marc Mena
Release Date : February 16, 2010
Label : Whatabout Music
Format : CD
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A live session of Marc Mena’s music recorded live at the Emergency Room studio in Barcelona.
Artist : Dave Bianchi
Release Date : March 30, 2010
Label : Whatabout Music
Format : CD
Recorded and mixed by Dave Bianchi at Emergency Room Studio (Barcelona). All songs written, arranged, and produced by Dave Bianchi, except Nerves (Amanda Jayne), Bricklessness (Duffy O’Brick), and God (Tori Amos)
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For The Suburbs of Salt (2010), Dave Bianchi decided to simplify – Salt was recorded with a band of just 10 musicians. Strings, horns, orchestration, the incredible drum work of Oriol Roca, and a guest vocal slot from singer/songwriter Leslie Helpert; the album also features a cover of the Tori Amos song “God,” as well as original recordings of Amanda Jayne’s “Nerves” and “Bricklessness” written by british poet and artist Duffy O’Brick.
Artist : Amanda Jayne
Release Date : April 23, 2013
Label : Whatabout Music
Format: CD
Produced and mixed by Dave Bianchi at The Emergency Room studio
Mastered by Kelly Hibbert
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Five years after her debut album ‘Swoon,’ this American songstress and accordion player brings us 10 new songs from her twisted mind. ‘Lunatics in Bloom‘ features her band The Murder of Crows, as well as collaborations from renowned Italian experimental musician Paolo Angeli.
Press
Amanda Jayne nos ha hecho esperar casi 5 años entre su Swoon y esta segunda grabación, pero ha merecido la pena esperar porque Lunatics in bloom (Whataboutmusic-2013) es otra joyita.
Si en Swoon Amanda recreó un sonido propio, entre música teatral y folk funambulista, en su nuevo trabajo sigue siendo Amanda Jayne, pero huele diferente. Si el sonido de Swoon se organizaba alrededor del acordeón de Amanda, en Lunatics in bloom, a partir de la tercera o cuarta canción, la guitarra acústica toma protagonismo y nos soprende gratamente con canciones de una Amanda reinventada, arropada por una banda de lujo, un privilegio de músicos: Claudia Gomez al teclado, juguetes varios, voces y percusiones, Miguel Serna al bajo, Dani Carbonell y Paco Mendez, de Dúmbala Canalla (grupo del que Amanda fué la acordeonista) al clarinete y guitarra y banjo, respectivamente, Emma Gawlinski, la flautista de Gadjo, Christoph Mäcki Hamann, violinista del grupo alemán Apparat, Joan Viñals(Illuminata) a la guitarra acústica y ukelele, Sasha Agranov, virtuoso del violoncelo y la sierra musical (Selva de Mar, Circus Delirium, P.O.G. etc…), Marc Mena, genial a la trompeta, el magnífico Oriol Roca(P.O.G., Giovanni di Domenico) a la batería, y el monstruo de la guitarra sarda tuneada, Paolo Angeli(P.O.G., Paolo Angeli). Una banda más que de lujo que le permite la orquestación sofisticada que es el sello de Amanda Jayne.
Esta chica, nacida en un pueblo de las afueras de Filafelfia -y que a pesar de ser todavía muy joven lleva ya entre nosostros casi 13 años-, es posiblemente uno de los personajes más interesantes de nuestro panorama porque no se trata de una cantautora al uso, sino de un músico y letrista diferente, creadora de un mundo propio, entre el sueño y la pesadilla surreal-no en vano la primera canción se titula “El sonambulista”, -una especie de sonámbulo en la cuerda floja-, que se desarrolla sobre armonías intrincadas y melodías fuera de lo común, lustrosas por la producción de Dave Bianchi, alma mater de Whataboutmusic, la escudería de la mayoria de los músicos que acompañan a Amanda en Lunatics in bloom.
Todo en el disco es exquisito, incluído el cuidado grafismo a cargo de Ombra Estudi, con ilustraciones de Aaron Farrington (www.aaronfarrington.com) y Jessika Flint, un cuidado que a veces se ningunea y que en los tiempos que corren es un importante motivo para adquirir la joya física, tangible, diseñada como obra de arte conceptual. Jordi Torrent, Atiza (June 2013)
En 2007 apareció Swoon, el álbum debut de Amanda Jayne. Fue un verdadero éxito. Con canciones comoElastic Bones y Nine Whole Lives cambió la escena musical underground de Barcelona. No fueron pocos los conciertos que vieron Amanda como protagonista después de Swoon. Y todos fueron una fiesta. Con esa mezcla de folk, swing, pop y canción de autor y con ese aire que sabe a circo Amanda Jayne consiguió enamorar a muchos. Luego vino el silencio. La cantante, compositora, acordeonista y guitarrista
americana desapareció de las escenas por unos años. Muchos nos preguntamos qué había pasado. Muchos, sobre todo, nos preguntamos si Amanda Jayne pisaría otra vez algun escenario.
Pues, ahora tenemos la respuesta. Amanda Jayne ha vuelto con un nuevo disco. El título es Lunatics In Bloom, producido por la Whatabout Music de Dave Bianchi, que ya había producido Swoon, y financiado con éxito en Kickstarter. Lunatics in bloom es un álbum en que Amanda nos lleva en otro viaje en un mundo compartido por sonambulistas, pajaros, recuerdos y mucho más. Un álbum en que, como de costumbre, Amanda se deja acompañar por otros músicos de la talla de Claudia Gomez (teclado, piano, glocken spiel, percusiones), Sasha Agranov (violonchelo, singing saw), Marc Mena (trompeta), Miguel Serna (bajo) y Oriol Roca (batería) y en que puede contar con la participación especial del músico sardo Paolo Angeli a la guitarra clásica. Steven Forti, Outsidersmucia (June 2013)
Artist : Shaanán Streett
Release Date : March 2, 2014
Label : The Eighth Note
Format : CD
Recorded and produced by Dave Bianchi at Emergency Room Studios, Barcelona
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Album notes from Shaannan Strett:
“I first started writing this project in august of 2005, three short months after my sister’s death. I remember clearly how terrible I was feeling, how drained of optimism and hope I was. I also remember, that upon sharing my feelings of emptiness and despair with those closest to me, the common reply would usually be that the only thing that can really help me with my pain – is time. It was for this reason that I started writing “the good project”. I started writing so i could see if everyone around me was right. if time can really assist in easing ones’ pain. In order to make my “experiment” a “scientific” one, I set myself rules- one poem per month. no more, no less. I managed to obey my rules throughout (almost) an entire year. I wrote, and the time passed. The time passed, and I wrote. Month after month the poems appeared august, september, october… and “the good project” started unfolding before my eyes…
A short while after completing the poetry part of the project, it dawned on me that i should try and get these poems composed. and so I did. I worked alongside three of my favorite living Israeli musicians (Shlomi Shaban, Berry Saharoff and Chava Alberstein) for approximately 2 more years until i finally had sketches of all twelve songs. to be honest, by this time I was rather satisfied. I was happy with the poems and I was happy with the songs they had become. I felt no need to go ahead and record them properly, “the songs are doing just fine in my computer” I thought to myself. “I like them just the way they are”, but fate decided to intervene.
In late 2011 the young sister of my friend and colleague was found dead in her apartment. While trying to condole him, and searching for words, I heard myself say that the only thing that can really help, is time. It was at that moment I realized that “the good project” must be recorded.
The recording of “the good project” took place in The Emergency Room studio in Barcelona during march of 2013 under the supervision of the incredible Dave Bianchi. Musicians from various nations took part in the recordings.
It is my belief that the outcome, though being a testimony of my personal tragedy, may prove to assist many others who have lost a loved one.”
Press
Tova – A Good Project is a lot more than just a rap album, it is a living testimony of the journey that Shaanan Streett (the author) went through in the year after his young sister died from cancer.
Shaanan Streett is an israeli singer and song writer. He is the lead singer of the israeli successful band – ‘Hadag Nahash‘. ‘Tova – A Good Project’ his is second solo album, and the first one to be in english.
I heard about ‘Tovaa – A Good Project’ from a friend, I knew that it is about his personal struggle after his sister death. But I had to hear the powerful emotional texts to really understand what the album is about.
Shaanan described the album as an experiment to see if time can indeed ease the pain like he was told after her death. In the third month since her death he decided to write one song every month for a year. After he was finished writing all the songs he composed them along with some other famous and respectable israeli artists, such as Shlomi Shaban, Berry Saharoff and Chava Alberstein. It took another two years until he had the sketches for all the songs. But only after he found him self comforting his friend, by saying that ‘the time will ease the pain’. he decided to record it in a studio and export it as an album. the album released on february 2014, almost nine years after his sister death.
The album contain 12 songs, that were written each month for a year except april, instead there are early may and late may. And it’s cover representing his sister were gone from his family but her memories still remain. (they were three brothers and a sister)
You can truly feel Shaanan’s pain with emotional lyrics such as – ‘i realize that memories with missing details are like memories that are destined to be doomed’ (August) and ‘optimism seems to slip between my fingers like soap’ (July).
Shaanan truly evolving during the album, at the beginning of the album he is melancholy and having hard time dealing with his sister death ‘i bury myself with work pile it on stretch myself to the limit 18,19 hour days’ (september), ‘paranoid scared frightened terrified’ (october) and by the end of the album he is may not be happy, but he feels in control – ‘At least I know I can cope’ (July).
During the making of the album, two music video were released for the two singles – July and February.
I highly recommends this album. It is an unique combination between deep, emotional and painful lyrics to interesting composition decisions.You should defiantly hear this album. Yeerful (December 2014)
Artist : Anita Zengeza
Release Date : August 27, 2013
Label : Whatabout Music
Format : CD
Produced and mixed by Dave Bianchi in The Emergency Room Studio
Mastered by Kelly Hibbert
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After having traveled the world, Zimbabwean singer-songwriter Anita Zengeza was drawn by the magic of Barcelona, and it was there that she found inspiration to begin recording her debut self -titled album.
13 incredible musicians collaborated on this album, creating a rich fusion of sounds and colours. Anita’s songs are influenced by different cultures and genres of music – a creation so unique and personal that it becomes a genre in itself. Her voice is unique and expressive, full of sweetness and strength, a serenity that you can feel in each note.
This CD is a musical and emotional exploration that displays the creative journey that she has lived during the last few years, a journey that we can all travel together.